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Rebecca Gilman’s Dollhouse opens at the Guthrie Theater

REBECCA GILMAN’S DOLLHOUSE opens at the Guthrie Theater


“Playwright Rebecca Gilman deftly freshens Ibsen’s brilliant treatise on social values”- Graydon Royce, Star Tribune


(Minneapolis/St.Paul) Award-winning playwright Rebecca Gilman (Spinning Into Butter, The Glory of Living) bold and insightful update of Henrik Ibsen’s A Doll’s House opened at the Guthrie Theater last week to critical acclaim. Wendy C. Goldberg, artistic director of the National Playwrights Conference at The Eugene O’Neill Theater Center, directs the production, which features Sarah Agnew in the role of Nora. Performances continue through July 11, 2010 on the McGuire Proscenium Stage at the Guthrie Theater.


“Gilman’s adaptation retains Ibsen’s power to force us to reflect on ourselves. The timeless beauty of A Doll’s House never felt so timely”
— Graydon Royce, Star Tribune
A “grand show” … “the Guthrie has assembled a first-rate cast”
— John Olive, HowWasTheShow.com

Dollhouse is a disturbing, but funny show … It’s a trap laid out clearly in the Guthrie Theater’s intriguing production”
— Ed Huyck, MinnPost.com

About Rebecca Gilman’s Dollhouse
Nora seems to have it all: a successful husband, three adorable children and a beautiful home in Lincoln Park. But what looks like the perfect life is woefully incomplete, propped up by dark secrets and bitter betrayals. From Ibsen’s masterpiece A Doll’s House, award-winning playwright Rebecca Gilman (Spinning Into Butter, The Glory of Living) crafts a bold and insightful update that’s been called “savvy, droll and deliciously caustic” by Variety. This contemporary adaptation brings Ibsen’s classic into our century with a sharp eye for social satire and moments of dark comedy coupled with powerful human drama.
The cast includes Sarah Agnew (Nora), Alexander Cecena (Max), Oralia Cecena (Skyler), Piper Gallivan (Macey), Matt Guidry (Pete), Peter Christian Hansen (Terry), George A. Keller (Marta), Norah Long (Kristine), Emily Marceau (Macey), Nora Montanez (Iris), Bhavesh Patel (Raj Patel), Alaina Lucy Rivera (Skyler) and Zel Weilandgruber (Max).
The creative team for the show includes Alexander Dodge (Scenic Design), Anne Kennedy (Costume Design), Josh Epstein (Lighting Design), Elisa Carlson (Voice and Dialect Coach), Marcela Lorca (Movement), Carla Steen (Dramaturg), Michele Harms (Stage Manager), Justin Hossle (Assistant Stage Manager) and Ellen Fenster (Assistant Director).

Dollhouse continues through July 11 on the McGuire Proscenium Stage at the Guthrie Theater. Single tickets are priced from $29. Tickets are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE and online at www.guthrietheater.org.
For more information on Dollhouse at the Guthrie, visit http://www.guthrietheater.org/whats_happening/shows/2009/dollhouse.

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Desperate Houswives star Chavira stars in Guthrie’s Streetcar




(Minneapolis/St. Paul) The Guthrie Theater today announced the casting of Ricardo Antonio Chavira as Stanley Kowalski in Tennessee Williams’ masterpiece A Streetcar Named Desire, directed by John Miller-Stephany.

Chavira returns to the Guthrie Theater, where he participated in A Guthrie Experience for Actors in Training in 1999. While at the Guthrie, Chavira appeared in The Long Walk and Jack and Jill at the Guthrie Lab. Other theater credits include roles at Odyssey Theatre in Los Angeles, La Jolla Playhouse, San Diego Rep, Seattle Rep and Missouri Rep. He is best known for his role as Carlos Solis on the ABC television series “Desperate Housewives,” which is currently in its sixth season. Chavira has been part of the award-winning “Desperate Housewives” cast since the series began in 2004.
“My first time in Minneapolis was as a member of the Guthrie Experience in the summer of 1999,” Chavira said. “Now, 11 years later, it is great to return to Minneapolis for my first Guthrie mainstage performance in A Streetcar Named Desire.”

A Streetcar Named Desire begins previews on the Wurtele Thrust Stage at the Guthrie on July 3, opens July 9 and continues through August 21, 2010. Single tickets start at $24 and are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, 612.225.6244 (Group Sales) and online at www.guthrietheater.org.

“Like all of Williams’ most compelling creations, Stanley Kowalski is a complex character – by turns brutal and vulnerable, magnetic and repulsive, calculating and passionate, perceptive and thick.  It requires an actor with great depth to convincingly play such a demanding role,” Guthrie Director Joe Dowling said. “Ricardo has the necessary talent, charisma, training and heart to be a truly superb and personally distinctive Stanley. We’re delighted to welcome him back to the Guthrie, particularly to play this challenging role.”

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Guthrie/Berkeley’s Tiny Kushner slated for London’s Tricycle Theatre





 (Minneapolis/St. Paul) The Guthrie today announced that its highly successful production of Tiny Kushner is scheduled to play London’s Tricycle Theatre (producers of The Great Game: Afghanistan) from September 1 – 25. The evening of short plays by Pulitzer Prize-winning playwright Tony Kushner premiered at the Guthrie on May 20, 2009 as part of its landmark Kushner Celebration and went on to a critically acclaimed run at Berkeley Rep. Long-time Kushner collaborator and Berkeley Rep Artistic Director Tony Taccone again directs the production, which features four Guthrie favorites – J.C. Cutler (Macbeth), Kate Eifrig (9 Parts of Desire), Jim Lichtscheidl (The Two Gentlemen of Verona) and Valeri Mudek (A Midsummer Night’s Dream) – performing multiple roles in five works by Kushner. 

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Guthrie opens ’10-’11 season with world premiere of Master Butchers Singing Club







(Minneapolis/St. Paul) Director Joe Dowling today announced the Guthrie Theater’s 2010-2011 season will begin with the world premiere of a new play by Pulitzer Prize-winning playwright Marsha Norman. The Master Butchers Singing Club, adapted from the novel by Minnesota author Louise Erdrich, opens on the Wurtele Thrust Stage of the Guthrie Theater in September under the direction of Francesca Zambello

“I’m very pleased that we’re able to continue to commission new work for the Guthrie stage,” Dowling said. “Over the last several seasons we’ve been able to commission and produce new plays from Tony Kushner, Jeffrey Hatcher, Naomi Iizuka and Robert Bly, in addition to a musical based on the work of Laura Ingalls Wilder. To have the opportunity to produce a new play based on a novel by a significant Minnesota author like Louise Erdrich is particularly gratifying to us.”

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Guthrie Theater announces full company for Rebecca Gilman’s DOLLHOUSE


Previews begin May 22; Opening May 27;

Playing through July 11, 2010, on the McGuire Proscenium Stage

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The Public and Signature to co-produce Kushner’s Intelligent Homosexual’s Guide in 2010-2011 seasons




The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) and Signature Theatre Company (Founding Artistic Director James Houghton; Executive Director Erika Mallin) announced today that the New York premiere of Tony Kushner’s THE INTELLIGENT HOMOSEXUAL’S GUIDE TO CAPITALISM AND SOCIALISM WITH A KEY TO THE SCRIPTURES will be presented in the 2010-2011 season in a co-production between The Public Theater and Signature Theatre Company, in association with the Guthrie TheaterMichael Greif, who directed the world premiere at the Guthrie in April, 2009, will direct the New York premiere, which will play March 22-June 12, 2011 at The Public Theater.  Casting will be announced at a later date.

The Public Theater and Artistic Director Oskar Eustis have a long history with Tony Kushner, dating back to 1986 when Eustis, then Artistic Director of the Eureka Theater in San Francisco, directed Kushner’s first professional production, A Bright Room Called Day (later seen at the Public Theater), and commissioned Angels in America, which he then directed in its world premier at the Mark Taper Forum. The Public Theater also developed Kushner’s musical Caroline, or Change and then transferred it to Broadway in 2004.  In 2006, Kushner’s translation of Bertolt Brecht’s Mother Courage and Her Children was presented at Shakespeare in the Park.
Signature Theatre Company is the first theatre company to devote an entire season to the work of a single playwright, including re-examinations of past writings as well as New York and world premieres. By championing in-depth explorations of a living playwright’s body of work, the Company delivers an intimate and immersive journey into the playwright’s singular vision.  Signature’s 20th Anniversary Season, devoted to Tony Kushner, also includes the first New York revival of Angels in America and another production to be announced.   

Signature was in residence at The Public Theatre for two seasons in 1995-1997, but THE INTELLIGENT HOMOSEXUAL’S GUIDE marks the first time the two theatres have partnered to present a co-production.   

In the summer of 2007, Gus Marcantonio, a retired longshoreman, summons his children to the family’s Brooklyn brownstone for a series of shocking announcements.   THE INTELLIGENT HOMOSEXUAL’S GUIDE TO CAPITALISM AND SOCIALISM WITH A KEY TO THE SCRIPTURES explores revolution, radicalism, marriage, sex, prostitution, politics, real estate, unions of all kinds and debts both repaid and unpayable.   

Tony Kushner commented, “I have a long relationship to The Public Theater, beginning of course as an audience member when I first arrived in New York and then as a playwright, through A Bright Room Called Day, produced by Joe Papp and directed by Michael Greif; The Dybbuk, produced by George C. Wolfe; Caroline, or Change, which George produced and directed; and Mother Courage and Her Children, produced by Oskar Eustis.  Oskar and I have been working together closely since the start of my career. The Intelligent Homosexual’s Guide, or as I’ve been abbreviating it, iHo, has deep roots in an ongoing conversation with Oskar about life, politics and art that’s essential to my thinking and writing.  Since I began working on it, this play has felt to me like it belonged at The Public.”
“There’s no theater on earth I admire more than the Signature, both for its faith in American playwrights and for its magnificent productions of our plays. Jim Houghton has enormous talent and daring, a man of marvelous collegiality and seriousness of purpose. I’m thrilled and honored to have been offered a Signature season.  Now that it’s almost here, I’m also terrified, but in the nicest way.  Since I began working on this play, I felt it would make a perfect choice for the new play slot in my Signature season. iHo opening in New York as part of both The Public’s and Signature’s season, co-produced by Oskar and Jim, feels so much like having my cake and eating it too that I’m embarrassed by my good fortune, and very happy.”   

“Tony Kushner has been a crucial part of the Public Theater family for 20 years,” said The Public Theater’s Artistic Director Oskar Eustis. “Tony’s work is fiercely intelligent, deeply moral and wildly entertaining. THE INTELLIGENT HOMOSEXUAL’S GUIDE is a classic American family play, but his canvas is as large as America itself. The Public is proud to join with Signature Theater Company to produce this essential work.”
“Tony Kushner is an essential voice in the American theatre and I’ve long hoped for the opportunity to do a season together,” commented Signature Founding Artistic Director James Houghton.  “We’re thrilled that Signature’s 20th season will mark the 20th anniversary of Tony’s seminal work, Angels In America: A Gay Fantasia on National Themes and the New York premiere of his crushing and thrilling new play, The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. We look forward to partnering with Oskar Eustis and our friends at the Public on this production and it is especially exciting to have Michael Greif, who has a history with both companies, at the helm of this important work.”
“We are enormously proud of The Intelligent Homosexual’s Guide, having commissioned it for the Guthrie Theater’s three-month long Kushner Celebration in 2009,” said Guthrie Director Joe Dowling. “Michael Greif’s original production was the centerpiece of our highly successful Celebration and I’m thrilled that its journey continues. I wish Tony, Michael, Jim and Oskar much success in the New York production.”

TONY KUSHNER (Playwright).  His plays include A Bright Room Called Day; Angels In America, Parts One and Two; Slavs!; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori (Public Theater/Broadway); and The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. His adaptations include Corneille’s The Illusion, S.Y. Ansky’s The Dybbuk, and Brecht’s The Good Person of Sezuan and Mother Courage and Her Children (Public Theater). Kushner’s films include “Angels In America, and Munich. His books include Brundibar, illustrations by Maurice Sendak; The Art of Maurice Sendak, 1980 to the Present; and Wrestling With Zion: Progressive Jewish-American Responses to the Palestinian/Israeli Conflict (co-edited with Alisa Solomon). Kushner has received the Pulitzer Prize, an Emmy Award, an Oscar nomination, two Tony Awards, three Obie Awards, an Olivier Award, two Evening Standard Awards, and is the first recipient of the Steinberg Distinguished Playwright Award.

MICHAEL GREIF (Director) directed the world premiere of The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures at The Guthrie Theater last April. He will be directing The Winter’s Tale for The Public Theater’s Shakespeare in the Park this summer as well as Angels in America for Signature Theatre. His other Public Theater credits include the 2007 Shakespeare in the Park revival of Romeo and Juliet, Diana Son’s Satellites, the launch performance of Suzan-Lori Parks’s 365 Days / 365 Plays, Fucking A, Dogeaters (Obie), Marisol, Pericles, Casanova, A Bright Room Called Day, and Machinal (Obie). For Signature Theatre Company, he directed John Guare’s A Few Stout Individuals and Landscape of the Body.  Greif’s Broadway credits include Jonathan Larson’s Rent (Obie Award, Tony nom.), Grey Gardens (Tony nomination) and Next to Normal (Tony nomination). He is an Artistic Associate at New York Theatre Workshop, where his credits include Cavedweller, Bright Lights, Big City, and Rent. His other Off-Broadway credits include Boy’s Life (Second Stage), Neil LaBute’s The Distance from Here and A Very Common Procedure (MCC), Neal Bell’s Spatter Pattern (Playwrights Horizons), Beauty of the Father (MTC), Mr. Marmalade (Roundabout),  Betty Rules (Zipper), and Bell’s Monster (CSC). Greif has a longstanding association with the Williamstown Theatre Festival where his credits include Cherry Orchard, Three Sisters, The Seagull, Street Scene, Tonight At 8:30 and Once in a Lifetime. He was Artistic Director of La Jolla Playhouse from 1995-1999 where he directed Our Town, Sweet Bird of Youth, Diana Son’s Boy, Randy Newman’s Faust (also Goodman), Kushner’s Slavs (also Taper), and Thérèse Raquin.

THE PUBLIC THEATER (Oskar Eustis, Artistic Director; Andrew D. Hamingson, Executive Director) was founded by Joseph Papp in 1954 and is now one of the nation’s preeminent cultural institutions, producing new plays, musicals, and productions of classics at its downtown and at the Delacorte Theater in Central Park. The Public’s mandate to create a theater for all New Yorkers continues to this day onstage and through extensive outreach and education programs. Each year, over 250,000 people attend Public Theater-related productions and events at six downtown stages, including Joe’s Pub, and Shakespeare in the Park. The Public has won 42 Tony Awards, 149 Obies, 40 Drama Desk Awards and four Pulitzer Prizes. The Public has brought 52 shows to Broadway, including Sticks and Bones; That Championship Season; A Chorus Line; The Pirates of Penzance; The Tempest; Bring In ‘Da Noise, Bring In ‘Da Funk; On the Town; The Ride Down Mt. Morgan; Topdog/Underdog; Elaine Stritch at Liberty; Take Me Out; Caroline, or Change; Well; Passing Strange; and, most recently, the current Tony Award-winning revival of Hair.


SIGNATURE THEATRE COMPANY (James Houghton, Founding Artistic Director; Erika Mallin, Executive Director) was founded in 1991 by James Houghton and is the first theatre company to devote a season to the work of a single playwright.  Signature has presented entire seasons of Edward Albee, Lee Blessing, Horton Foote, Maria Irene Fornes, John Guare, Bill Irwin, Adrienne Kennedy, Romulus Linney, Charles Mee, Arthur Miller, Sam Shepard, Paula Vogel, August Wilson, Lanford Wilson and the historic Negro Ensemble Company.  The twentieth season features the work of Tony Kushner.  Since 2005, Signature has presented world-class theatre at an affordable price through The Signature Ticket Initiative, offering subsidized $20 tickets through 2011. This program is made possible by the lead sponsorship of Time Warner Inc. Signature, its productions, and its resident writers have been recognized with a Pulitzer Prize, Lucille Lortel Awards, Obie Awards, Drama Desk Awards, and AUDELCO Awards, among many other distinctions. Signature Theatre Company recently announced a new, permanent home beginning in 2012.  The Frank Gehry-designed Signature Center on W. 42nd Street will feature three programs: the Master Playwright s Residency, which explores major bodies of work; the Legacy Program, which celebrates previous Signature artists, and the Emerging Playwrights Residency, which features early and mid-career playwrights.


GUTHRIE THEATER (Joe Dowling, Director) was founded by Sir Tyrone Guthrie in 1963 and is an American center for theater performance, production, education and professional training. The Tony Award-winning Guthrie Theater is dedicated to producing the great works of dramatic literature, developing the work of contemporary playwrights and cultivating the next generation of theater artists. With annual attendance of nearly 500,000 people, the Guthrie Theater presents a mix of classic plays and contemporary work on its three stages. Under the artistic leadership of Joe Dowling since 1995, the Guthrie continues to set a national standard for excellence in theatrical production and performance. In 2009 the Guthrie devoted all three of its stages to the work of Tony Kushner for simultaneous productions of Caroline, or Change, Tiny Kushner and the world premiere of The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures drawing more than 90,000 visitors for an unprecedented three-month celebration. In 2006, the Guthrie opened its new home on the banks of the Mississippi River in Minneapolis. Designed by Pritzker Prize-winning architect Jean Nouvel, the Guthrie Theater houses three state-of-the-art stages, shops, classrooms and dramatic public lobbies.


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Minnesota critics swoon over Kneehigh Theatre’s BRIEF ENCOUNTER

“I don’t know how to say this any more plainly:
Do not miss Brief Encounter
— Chris Hewitt, Pioneer Press



(Minneapolis/St.Paul) Kneehigh Theatre’s production of Noël Coward’s iconic love story opened at the Guthrie on February 13 to rave reviews. Brief Encounter – a jaw-dropping fusion of theater, film and song – continues a limited 7-week engagement at the Guthrie, marking the final stop on its wildly-successful three-city U.S. tour. Ingeniously crafted with whimsical humor, dreamy romance and stunning multimedia effects, the production has played to sold-out audiences in London, San Francisco, and New York, and is fast becoming one of the most talked about and sought-after tickets in Minneapolis.

“Fascinating as anything I’ve ever seen on stage. It’s just fantastic so don’t miss it.”
— Tim Russell, WCCO Radio <http://www.wccoradio.com/pages/3882374.php>

About Brief Encounter
Forbidden passion brews in a 1938 railway station tearoom as a suburban housewife, over a series of stolen afternoons, falls madly in love with a married doctor. The production careens around varying moods of clipped, clenched passion heaving under the middle-class restraint of the duty-bound Alec and Laura, and the wild music-hall exuberance of the ­slap-and-tickle highjinks of two other clandestine couples among the railway station staff. The lives and loves of the three couples are played out in the train station tearoom as a grand entertainment, using the words (some newly set to original music) and familiar songs of Coward to create a breathtaking, funny and tear-inducing show with live musicians on stage, characters jumping in and out of film screens, and a couple in love floating in mid-air.
Directed and adapted by Emma Rice, the production features celebrated British actors and Kneehigh regulars, including Joseph Alessi (Fred/Albert), Dan Canham (Ensemble), Eddie Jay (Musician), Annette McLaughlin (Myrtle), Stuart McLoughlin (Stanley), Adam Pleeth (Musician), Beverly Rudd (Beryl), Milo Twomey (Alec) and Hannah Yelland (Laura).
The creative team for the show Neil Murray (Scenic and Costume Designer), Malcolm Rippeth (Lighting Designer), Jon Driscoll and Gemma Carrington (Projection and Film Designers), Stu Barker (Original Music), Simon Baker (Sound Designer), Lyndie Wright (Puppetry Designer), Sarah Wright (Puppetry Trainer), Robin Kewell (Underwater Filming), Sam Jones (Casting Director), Simon Harvey (Assistant Director), Paul Crewes (Producer for Kneehigh Theatre) and Michael Mushalla (General Manager for U.S. Tour).

Kneehigh Theatre’s production of Noël Coward’s Brief Encounter continues through April 3 on the McGuire Proscenium Stage at the Guthrie Theater. Single tickets are priced from $34. Tickets are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE and online at http://www.guthrietheater.org.
For more information on Brief Encounter at the Guthrie, visit http://www.guthrietheater.org/whats_happening/shows/2009/brief_encounter .

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