ROUNDABOUT THEATRE COMPANY
Announces Joel Grey Will Return To Broadway
as “Moonface Martin”!
Tickets Go On-Sale
American Express Exclusive Pre-Sale begins October 4th, 2010
Public On-Sale begins October 10th, 2010
Sutton Foster And Joel Grey
To star In a new Broadway production of
Music & Lyrics by Cole Porter
Original book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse
New book by Timothy Crouse & John Weidman
Directed & Choreographed by Kathleen Marshall
Previews begin March 10th, 2011;
Official Opening April 7th, 2011
on Broadway at the Stephen Sondheim Theatre
Roundabout Theatre Company (Todd Haimes, Artistic Director) announces Tony® and Academy® Award winner Joel Grey will return to Broadway to join the cast of the new Broadway production of Anything Goes, starring Tony® Award winner Sutton Foster as “Reno Sweeney.” Anything Goes will mark Mr. Grey’s seventh Broadway production.
Directed & choreographed by Tony® Award winner Kathleen Marshall, Anything Goes will begin performances March 10th, 2011 and officially open on April 7th, 2011 on Broadway at the Stephen Sondheim Theatre (124 West 43rd Street).
Beginning Monday, October 4th, 2010, tickets will be available exclusively to American Express® cardmembers by calling (212) 239-6200 or at www.roundabouttheatre.org. Beginning Friday, October 8th, tickets will be available to members of Roundabout’s Email Club (www.roundabouttheatre.org/email_club.htm). Beginning Sunday, October 10th at 12AM, tickets go on-sale to the public. Tickets will be available by calling (212) 239-6200 or at www.roundabouttheatre.org.
The Stephen Sondheim Theatre Box Office (124 W. 43rd St) will open in Winter 2011, at a date to be announced.
Music & lyrics by Cole Porter; original book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse; New book by Timothy Crouse and John Weidman.
Tony® and Academy® Award winner Joel Grey returns to Broadway as “Moonface Martin.” In a career that was launched in the early 1950’s, Joel Grey has created indelible stage roles including the iconic M.C. in Cabaret (Tony® Award), as song and dance man George M. Cohan in George M! (Tony® nomination), as Charley VII in Goodtime Charlie (Tony® nomination), as Jacobowsky in The Grand Tour (Tony® nomination), as Olim in New York City Opera’s Silverlake, as Amos Hart in the landmark revival of Chicago and as the Wonderful Wizard of Oz in Wicked.
The creative team includes Rob Fisher (Music Supervisor). The design team includes Derek McLane (Sets), Martin Pakledinaz (Costumes) and Peter Kaczorowski (Lights). Additional design team and cast members will be announced shortly.
ALL ABOARD for this saucy and splendid new production of Cole Porter’s musical romp across the Atlantic. When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love… proving that sometimes destiny needs a little help from a crew of singing sailors, an exotic disguise and some good old-fashioned blackmail. Peppering this hilariously bumpy ride are some of musical theater’s most memorable standards, including “You’re the Top,” “Blow, Gabriel, Blow,” “It’s De-Lovely,” “I Get A Kick Out of You,” and “Anything Goes.”
Two-time Tony® Award winner Kathleen Marshall returns to the Roundabout, where she directed and choreographed the Tony® Award winning musical The Pajama Game starring Harry Connick Jr. and Kelli O’Hara. Her history with Roundabout began in 1993 when she was the Associate Choreographer to her brother Rob Marshall in the critically acclaimed Broadway production of She Loves Me. Kathleen also choreographed Roundabout’s productions of Follies and 1776 and won a 2004 Tony® Award for her choreography of Wonderful Town.
The musical Anything Goes, premiered on Broadway on November 21, 1934 at the Alvin Theatre, starring Ethel Merman. The first Broadway revival of Anything Goes premiered on Broadway on October 19, 1987 at the Vivian Beaumont Theatre and received the Tony® Award for best revival.
Major support for Anything Goes provided by The Blanche and Irving Laurie Foundation.
Anything Goes benefits from Roundabout’s Musical Theatre Fund with gifts from Peter and Leni May and The Kaplen Foundation.
Beginning Monday, October 4th, 2010, tickets will be available exclusively to American Express® cardmembers by calling (212) 239-6200 or at www.roundabouttheatre.org.
Beginning Friday, October 8th, tickets will be available to members of Roundabout’s Email Club.
Visit www.roundabouttheatre.org/email_club.htm by October 8th to join the Email Club and receive purchase information.
Beginning Sunday, October 10th at 12AM, tickets go on-sale to the public.
Tickets will be available by calling (212) 239-6200 or at www.roundabouttheatre.org.
The Stephen Sondheim Theatre Box Office (124 W. 43rd St) will open in Winter 2011, at a date to be announced.
To become a Roundabout subscriber visit www.roundabouttheatre.org or call Roundabout Ticket Services (212)719-1300. Ticket prices range from $87-$137.
Anything Goes will play Tuesday through Saturday evenings at 8:00PM with a Wednesday, Saturday and Sunday matinee at 2:00PM.
SUTTON FOSTER (Reno Sweeney) recently starred on Broadway as Princess Fiona in Shrek: The Musical, for which she was honored with Tony and Drama Desk nominations, and the Outer Critics Circle Award. Prior to that, Sutton was Inga in the Mel Brooks musical, Young Frankenstein, Janet Van De Graaff in The Drowsy Chaperone (2006 Tony and Drama Desk Award nominations, LA Ovation Award) and Jo March in Little Women: The Musical (2005 Tony, Drama Desk, Outer Critics Circle Award nominations). She is the recipient of the 2002 Tony, Drama Desk, Outer Critics Circle, and Astaire Awards for her performance as Millie Dillmount in Thoroughly Modern Millie, a role she created in the 2000 La Jolla Playhouse premiere. Other Broadway credits include Les Miserables, Annie, The Scarlet Pimpernel, and Grease!. Regional productions include What the World Needs Now (Old Globe), Dorian (Goodspeed), The Three Musketeers (San Jose Musical Theater), Nellie Forbush in South Pacific and Sally in Me and My Girl (both at Pittsburgh CLO). She has toured nationally in The Will Rogers Follies, Les Miserables, and Grease!. She has appeared as Svetlana in Chess in Concert and as the “I’m the Greatest Star” Fanny Brice in Funny Girl in Concert, both Actors Fund of America benefits. On television, Sutton recently guest starred on “Law & Order: SVU.” Other appearances include the Disney Channel’s “Johnny and the Sprites” and several episodes of the HBO series, “The Flight of the Conchords.” Sutton has performed in concert at Lincoln Center’s American Songbook series, with Peter Nero and the Philly Pops, with the New York Pops at Carnegie Hall, at Feinstein’s, Joe’s Pub, and at concert halls and theaters across the country. Recordings include The Maury Yeston Songbook (PS Classics), Jule Styne in Hollywood, and the original cast recordings of Thoroughly Modern Millie, Little Women, The Drowsy Chaperone, Young Frankenstein and Shrek. Her debut solo CD, Wish (Ghostlight Records), was recently released to critical acclaim and is now available in stores. She has just completed a sold-out limited run of the highly-anticipated City Center Encores! production of Stephen Sondheim’s Anyone Can Whistle, starring as Nurse Fay Apple. She is a proud teacher at New York University and Ball State University. Visit her website: http://www.suttonfoster.com.
JOEL GREY (Moonface Martin). In a career that was launched in the early 1950’s, Joel Grey has created indelible stage roles each decade since: as the iconic M.C. in Cabaret (1966, Tony Award), as song and dance man George M. Cohan in George M! (1967, Tony nomination), as Charley VII in Goodtime Charlie (1975, Tony nomination), as Jacobowsky in The Grand Tour (1979, Tony nomination), as Olim in New York City Opera’s Silverlake (1981), as Amos Hart in the landmark revival of Chicago (1996), and as the Wonderful Wizard of Oz in Wicked (2004). Joel’s non-musical stage roles include John Guare’s Marco Polo Sings a Solo (1975) at the Public Theatre; the title role in the Williamstown Theatre Festival production of Chekhov’s Platonov (1978); Larry Kramer’s seminal The Normal Heart (1986) at the Public Theatre; the American Repertory Theatre’s production of Ibsen’s When We Dead Awaken (1991) at the Sao Paulo Biennale, directed by Robert Wilson; Herringbone at the Hartford Stage (1992); John Patrick Shanley’s A Fool and Her Fortune (NY Stage and Film, 1992); and in the Roundabout Theatre production of Brian Friel’s Give Me Your Answer, Do! (1999), for which he received a Drama Desk Award nomination. Grey’s film credits include Cabaret (Academy Award), Frank Perry’s Man on A Swing (1974), Robert Altman’s Buffalo Bill and the Indians (1976); Herbert Ross’ The Seven Percent Solution (1976); Remo Williams: The Adventure Begins (1985, Golden Globe Nomination); Steven Soderbergh’s Kafka (1991); Altman’s The Player (1992); Phillip Haas’ The Music of Chance (1993); Michael Ritchie’s adaptation of The Fantasticks (2000); Lars von Trier’s Dancer in the Dark (2000) with Bjork and Catherine Deneuve; and Clark Gregg’s Choke, which premiered at the 2008 Sundance Film Festival. Joel’s recent television credits include “Alias,” “Buffy the Vampire Slayer,” “Brooklyn Bridge,” (Emmy Award-nomination), “Oz,” “Law and Order: Criminal Intent,” “House,” “Brothers & Sisters,” “Private Practice,” and “Grey’s Anatomy.” In April 2010, The Paley Center for Media in New York presented “An Evening with Joel Grey,” celebrating Joel’s remarkable, multi-decade career in television. Joel is also an internationally exhibited, acclaimed photographer. He has had three photography books published: Pictures I Had to Take (2003), Looking Hard at Unexamined Things (2006), and 1.3: Images from My Phone (2009). Joel Grey is one of only eight actors to have won both the Tony and Academy award for the same role. In 1984, he was inducted into the Theatre Hall of Fame and has received his star on the Hollywood Walk of Fame. He is also the recipient of the Distinguished Artist Award from the Los Angeles Music Center. In 1993, Jacqueline Kennedy Onassis presented Joel with the Municipal Arts Society medal naming him a Living New York Landmark. In October 2009, Grey performed at Carnegie Hall, alongside Lady Gaga, Bono, Rufus Wainwright and more to benefit (RED) and help stop AIDS in Africa. He is currently directing an all-star, one-night only staged reading of Larry Kramer’s The Normal Heart on Broadway to benefit The Actors Fund and Friends in Deed.
KATHLEEN MARSHALL (Director/Choreographer). Kathleen Marshall directed and choreographed the most recent Tony-nominated Broadway revival of Grease, The Pajama Game (Tony, Drama Desk and Outer Critics Awards for Best Choreography and nominations for direction) starring Harry Connick, Jr. and Wonderful Town (Tony, Drama Desk, Outer Critics and Astaire Awards for Best Choreography and nominations for direction). She directed and choreographed the Disney/ABC tele-pic, Once Upon A Mattress, starring Tracey Ullman and Carol Burnett, and choreographed their previous tele-pic, The Music Man, starring Matthew Broderick (Emmy nomination). She choreographed the Broadway productions of Boeing Boeing, Little Shop Of Horrors, Follies (Outer Critics Circle Award nomination), Seussical, Kiss Me, Kate (Tony, Drama Desk, Outer Critics Circle and Astaire Award nominations), Ring Round The Moon (Lincoln Center Theater), 1776 (Roundabout) and Swinging On A Star (Drama Desk nomination), as well as the West End revival of Kiss Me, Kate (Olivier Award nomination). She is an Artistic Associate of City Center Encores!, where she was the Artistic Director for four seasons. For Encores!, she directed and choreographed Applause, 70 Girls 70, House Of Flowers, Carnival, Hair, Wonderful Town and Babes In Arms and co-conceived and staged the Broadway Bash concert. She also choreographed the Encores! productions of L’il Abner, The Boys From Syracuse, Dubarry Was A Lady and Call Me Madam. For the New York Shakespeare Festival, she directed and choreographed Two Gentlemen Of Verona and for Second Stage Theatre, she directed and choreographed Saturday Night, the New York premiere of Stephen Sondheim’s first musical. Her national tours include Kiss Me, Kate, Sunset Boulevard starring Petula Clark and Andrew Lloyd Webber’s Music Of The Night. Other credits include Violet (Playwrights Horizons), As Thousands Cheer (Drama Dept.) and Time And Again (Old Globe Theatre). For the Library of Congress, she directed a 70th Birthday Celebration for Stephen Sondheim and she has staged tributes to Jason Robards, Angela Lansbury and Steve Martin for the Kennedy Center Honors. She served as assistant choreographer to her brother, Rob Marshall, on the Broadway productions of Kiss Of The Spider Woman, She Loves Me and Damn Yankees. She is the Vice President of the Stage Directors and Choreographers Society and is an Associate Artist of the Roundabout Theatre Company.
Roundabout Theatre Company is a not-for-profit theatre dedicated to providing a nurturing artistic home for theatre artists at all stages of their careers where the widest possible audience can experience their work at affordable prices. Roundabout fulfills its mission each season through the revival of classic plays and musicals; development and production of new works by established playwrights and emerging writers; educational initiatives that enrich the lives of children and adults; and a subscription model and audience outreach programs that cultivate loyal audiences.
Roundabout Theatre Company currently produces at three permanent homes each of which is designed specifically to enhance the needs of the Roundabout’s mission. Off-Broadway, the Harold and Miriam Steinberg Center for Theatre, which houses the Laura Pels Theatre and Black Box Theatre, with its simple sophisticated design is perfectly suited to showcasing new plays. The grandeur of its Broadway home on 42nd Street, American Airlines Theatre, sets the ideal stage for the classics. Roundabout’s Studio 54 provides an exciting and intimate Broadway venue for its musical and special event productions. Together these three distinctive venues serve to enhance the work on each of its stages.
American Airlines is the official airline of Roundabout Theatre Company. Flatotel is the official hotel of Roundabout Theatre Company. Roundabout productions are made possible, in part, with public funds from the New York City Department of Cultural Affairs; the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State’s 62 counties; the New York Department of State; the New York State Department of Education; and the New York State Office of Parks, Recreation and Historic Preservation.
Anything Goes benefits from Roundabout’s Musical Theatre Fund with gifts from Marty and Perry Granoff, HRH Foundation, Ted and Mary Jo Shen, Peter and Leni May, Tom and Diane Tuft, The Kaplen Foundation, and one anonymous donor.
Major support for Anything Goes is provided by The Blanche and Irving Laurie Foundation.
Roundabout Theatre Company’s 2010-2011 season features George Bernard Shaw’s Mrs. Warren’s Profession starring Cherry Jones, directed by Doug Hughes; Noël Coward’s Brief Encounter, adapted and directed by Emma Rice; Kim Rosenstock’s Tigers Be Still, directed by Sam Gold; Julia Cho’s The Language Archive, directed by Mark Brokaw; Oscar Wilde’s The Importance of Being Earnest, starring and directed by Brian Bedford; Tennessee Williams’ The Milk Train Doesn’t Stop Here Anymore starring Olympia Dukakis, directed by Michael Wilson; Anything Goes starring Sutton Foster, directed & choreographed by Kathleen Marshall; David West Read’s The Dream of Burning Boy, directed by Evan Cabnet. Roundabout’s sold out production of The 39 Steps made its third transfer to the New World Stages after a successful Broadway run at three Broadway theatres.