Posted on October 28, 2008 by bbbblogger
AUDIENCES IN CHICAGOLAND ARE HAVING “THE TIME OF THEIR LIFE”
DIRTY DANCING – THE CLASSIC STORY ON STAGE
By Eleanor Bergstein
JOINS THE MILLIONAIRE CLUB!
$1,095,062. GROSS FOR WEEK ENDING OCTOBER 26
“Dirty, Sexy, Funny…It’s impossible not to have fun at dirty dancing” – Chicago Sun-Times
“A big and spectacular show that’s honestly and skillfully acted and goes to lengths unparalleled [...]
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Posted on October 28, 2008 by bbbblogger
MANHATTAN THEATRE CLUB’S
WORLD PREMIERE NEW MUSICAL
BY JOHN PATRICK SHANLEY AND HENRY KRIEGER
ROMANTIC POETRY
TO OPEN TONIGHT, TUESDAY, OCTOBER 28
AT NEW YORK CITY CENTER – STAGE I
Manhattan Theatre Club’s world premiere of ROMANTIC POETRY, a new musical by John Patrick Shanley and Henry Krieger, will open tonight, Tuesday, October 28 at MTC at New York City Center [...]
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Posted on October 28, 2008 by bbbblogger
ALL MY SONS DIRECTOR SIMON McBURNEY
FEATURED IN NEW YORK TIMES
AND ON WWW.NYTIMES.COM IN AUDIO SLIDESHOW
Acclaimed director Simon McBurney discusses his work on the current Broadway production of Arthur Miller’s ALL MY SONS in yesterday’s Arts & Leisure section and on the New York Times website in an audio slide show.
ALL MY SONS stars [...]
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Posted on October 28, 2008 by bbbblogger
AS BASEBALL SEASON COMES TO A CLOSE,
MTC CELEBRATES THE ‘BOYS OF SUMMER’
ON FRIDAY, OCTOBER 31
BACK BACK BACK
TO OFFER FREE ADMISSION
TO THE FIRST 25* TICKETBUYERS
WEARING BASEBALL ATTIRE
As the Phillies and the Rays duke it out in the World Series, Manhattan Theatre Club celebrates the final innings of the baseball season with a special offer to [...]
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Posted on October 28, 2008 by bbbblogger
Columbia University
Miller Theatre, Columbia Morningside Campus
Presents
Mind, Memory and the Actor:
A discussion between Michael Boyd (Artistic Director, Royal Shakespeare Company) and Dr. Oliver Sacks (Professor of Neurology and Psychiatry, Columbia University).
Following his NY Public Library lecture in June, Michael Boyd continues his discussion with New Yorkers about his approach to theatre-making, performance and the [...]
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